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Share Tweet Share Share Email With decades of experience in both the insurance and IT sectors, Sachin Srivastava has built an impressive career by seamlessly blending technical expertise with industry insight, consistently driving change at every level. Sachin Srivastava His path took him through high-impact roles–from launching cutting-edge digital portals to streamlining enterprise-scale systems for top U.S. insurance firms like Allstate, The Hartford, and Berkshire Hathaway. Today, Sachin is leading innovative projects aimed at digital transformation, helping global organizations keep pace with the ever-increasing demands of business modernization. As he reflects on his childhood in a middle-class Indian family, he recalls how values like hard work, education, and community involvement shaped his character. The lessons instilled by his parents resonate profoundly, shaping his values and vision at present. “ Hard work and education never goes waste is what I always heard growing up.” From an early age, Sachin took his parents’ advice to heart. He excelled academically and graduated with scholarships, creating opportunities to attend highly regarded institutions. He earned a degree in Electrical and Electronics Engineering and an MBA in International Business, which laid the foundation for his eventual pivot into the insurance and IT sectors. Starting as an insurance associate at India’s largest property and casualty (P&C) insurance company and climbing up the ladder into management positions, Sachin quickly demonstrated his skill and work ethic. While leading a six-person team, Sachin dived deep into insurance underwriting, claims, and risk management. He discovered a world where insurance wasn’t merely about charts and processes—it was about understanding those who rely on those policies. He quickly grasped that at the core of this complex field were real lives and stories waiting to be understood. His efforts didn’t go unnoticed; within three years, he was promoted to Product Manager at the company’s headquarters. This new role allowed him to work more closely with other departments, refining his product management skills and giving him a comprehensive view of the industry. Sachin later expanded his horizons by taking on functional and management roles with global IT firms, where he worked with C-level executives, which provided him with an entirely new perspective on leadership and strategy. Through projects and consulting roles, he honed his ability to drive discussions, guide teams, and make strategic decisions that would ripple across the organization. One of the key highlights of this phase in Sachin’s career was his involvement with Berkshire Hathaway’s insurance portal, Biberk.com. His contribution to the initial planning and solutions stages, by applying his analytical skills, would later become a cornerstone of Berkshire’s digital strategy. Sachin’s contributions didn’t stop there. At The Hartford Insurance Group, his efforts helped the company reach a broader audience and expand its market share. “For The Hartford Insurance Group, I was part of their Speed to Market initiative targeted to the Small Commercial portfolio, which helped grow the market share for The Hartford’s small commercial business.” At Allstate, he helped develop and evolve the eAgent portal, an exclusive tool for their auto insurance exclusive agents, and improved its accessibility and functionality. This made it easier for agents to access the information they needed, ensuring a smoother customer experience. Another highlight was his work at NJM Insurance, where he helped design a digital portal for small businesses to obtain commercial insurance directly—no agents needed. For Sachin, this project embodied the future of insurance: customer-centric, straightforward, and technologically advanced. Through each milestone, he’s shaped a more accessible, efficient approach to insurance, always making it simpler and more valuable for those who rely on it. Now, as an IT Product Manager at Munich Reinsurance, Sachin manages a portfolio of business-critical applications and leads digital initiatives and cloud migrations, including scaling platforms like DuckCreek and enhancing integrations with agencies and third-party administrators (TPAs). Sachin believes that effective insurance solutions protect more than just financial assets—they safeguard people, businesses, and livelihoods. His current focus involves projects that position the company to respond dynamically to market demands. For Sachin, combining insurance and IT isn’t merely about efficiency; it’s about creating lasting value that supports both companies and their clients. His work at Munich Reinsurance continues to showcase his commitment to transforming the industry for a modern audience, and he often emphasizes the need to keep pushing boundaries within the P&C insurance landscape. Beyond his immediate work, Sachin has aspirations to launch his own venture, hoping to drive even more meaningful change in the industry. He explains his motivation: “By working in the insurance industry, I am able to make a difference.” This commitment to impact encourages him to consider the broader implications of his work. He elaborates further, noting, “We always ensure and compensate against damages and liabilities for organizations and individuals. I feel this keeps me on track to give back something to society.” With a clear vision for his future, he adds, “I would like to continue doing that, and in a few years from now, I want to grow these efforts by potentially starting a venture of my own that could help the insurance industry and eventually benefit customers as a whole.” Sachin is a firm believer in lifelong learning. He sees each project, team interaction, and challenge as an opportunity to learn. “For me, each day offers potential for new learning,” he says, motivating him to continue innovating and improving in his role. He admires those who have contributed to society, whether through quiet acts of kindness or large-scale innovations, and draws motivation from their examples. To him, personal and professional growth means striving for excellence in every endeavor and doing so with integrity. Sachin’s commitment to quality and community involvement is inherited from his upbringing. He remains deeply motivated to give back through his work, mentorship, or community initiatives. In an industry often rooted in tradition, Sachin sees potential for transformation. His story reminds us that when expertise meets purpose, even the most established sectors can evolve. He continues innovating with the conviction that there is always more to learn, improve, and countless ways to make a lasting impact. Sachin’s work has consistently gone beyond operational improvements—each role and project has been a step toward reshaping insurance as a field that truly serves and protects people. Related Items: innovation , insurance , Insurance Innovation , IT sectors , Sachin Srivastava , USA Share Tweet Share Share Email Recommended for you Technical Mastery and Workflow Innovation: Fiona Ng’s 3D Artistry EB1A Visa Denied? How Baden Bower’s PR Techniques Improve Reapplication Success The Role of Business Process Management in Insurance Operations CommentsNone
By Joey Carr on November 27, 2024 at 2:28PM PST GameSpot may receive revenue from affiliate and advertising partnerships for sharing this content and from purchases through links. Path of Exile 2 is the highly anticipated sequel in the iconic ARPG series, and it's finally arriving on December 6. The initial release of Path of Exile 2 will be in early access, and players can only enter the early version if they purchase a specific pack of content on the developer's website. There will be a subsequent full release sometime in 2025, and the developers at Grinding Gear Games will unveil additional content as time goes on. During the early access period of Path of Exile 2, players will only have access to some of the game's content. This includes a handful of the classes, half of the campaign, and presumably only a portion of the loot table. For now, you can check out the sections below to see everything we currently know about Path of Exile 2. The initial release date for Path of Exile 2 is slated for December 6, 2024. This date is only for players who have purchased early access to the game, which is currently the sole way to play Path of Exile 2. Throughout the entire early access period, which will go on for an undisclosed amount of time, you'll have to pay in order to play. At this time, we don't know how long Path of Exile 2 will remain in early access. The timeframe likely depends on the stability of the build and how many issues the developers need to solve throughout the early access period. Path of Exile 2 has already been delayed a couple of times, so there's no telling when the full release date will arrive in the future. With Path of Exile 2 only being in early access, there is currently no way to pre-order the game. All you can do is purchase the early access build through a variety of Supporter Packs. These Supporter Packs start at $30 and give you a key for the early access build, other in-game content, and coins to spend in the shop. The more expensive packs offer even more in-game content and coins as well as some real-life items, such as apparel. You can see the contents of every available Supporter Pack in our recent guide. Since the announcement of Path of Exile 2 and its early access build, several trailers and livestreams have gone up showing off different elements of the game. The most recent trailer showcases the entirety of early access , including some of the classes and content you can expect at launch. There are additional trailers that detail some individual classes in Path of Exile 2, such as the Witch and Ranger . The Path of Exile YouTube channel has dozens of different videos that go over in-depth elements of different parts of the game. Unlike its predecessor, Path of Exile 2 will exclusively be available on the current-generation platforms as well as PC and Mac. PlayStation 5 and Xbox Series X|S users will finally get to experience the Path of Exile series in all of its glory with a version built for current-gen consoles, which follows a period in which the original was stuck on the last-gen consoles for several years. At the time of writing, there are no plans to bring Path of Exile 2 to any additional platforms, such as the Nintendo Switch. One improvement Path of Exile 2 is making from the original is introducing cross-platform play and cross-progression . No matter what system you're on, you'll be able to play through Path of Exile 2 with up to five other players in your party (for a total of six). Even if you're on PC and your friends are on PS5, you can easily party up with them using the in-game friends list. There's also full cross-progression support, allowing you to access your account regardless of what system you're on. You could be playing on PC one day and then swap over to Xbox Series X another day and still save all of your progress. The story in Path of Exile 2 picks up 20 years after the events of the original. In the original, the story centers around you and others being exiled from the island nation of Oriath to the ravaged land of Wraeclast. There are dark forces trying to control Oriath and it's your job to escape Wraeclast and stop the forces from completely overruning your former home. In Path of Exile 2, the plot will largely be independent from the original, but there will likely be some returning characters. In the 20-year gap from the original to the sequel, the lands of Wraeclast and Oriath have changed quite significantly. The game begins with your character being sentenced to death by the "Iron Count." You, of course, escape this execution and stumble into a nearby town, called Clearfell Encampment, with surrounding areas being overcome by something called the "Seed of Corruption." At the end of Act 1, you fight the Iron Count in an epic battle to rid Clearfell of corruption and proceed to the Vastiri Desert, a location from the original game. The rest of the story follows a similar structure from act to act. The early access build of the game will only feature three Acts to start. At the end of every Act, a unique boss fight will occur that leads players into the next act of the campaign. Along the way, players will discover some familiar locations as well as plenty of new ones. You don't need to play the original Path of Exile to understand what's happening in the sequel, though. Overall, the early access build should feature roughly 50 hours of content throughout the three Acts and the endgame. The endgame is something the developers will continue to build on as early access rolls on. You can spend additional time for every character you make by completing side quests, discovering new areas and characters, and trying to beat bosses over and over to score specific drops. Path of Exile 2 will feature a fleshed-out endgame right from the start. However, you can only reach the endgame after beating the three-act campaign twice. The first time you beat it, you'll be roughly level 45. You're free to beat the three Acts the first time through on any difficulty level you choose. Once you're level 45 and done with the campaign, you'll need to beat it again, but this time on "Cruel" difficulty. Only after beating the campaign on this difficulty level will you be allowed to enter the endgame. Once you enter the endgame, you'll be able to explore the Atlas. This is a randomly generated map that goes on forever, giving you endless amounts of content to pursue. In the Atlas, you can discover towers that allow you to open up more of the map. You initially open up new areas by putting down Waystones, which essentially act as markers on the big Atlas map. These Waystones also allow you to select the difficulty of the enemies you'll face in the Atlas. The Waystones have several other mechanics as well, including the ability to modify them to influence what types of drop rates you'll receive from an area. In each area of the Atlas, you'll find monsters and bosses from the story, which need to be defeated to clear the different areas of corruption. Only some areas feature a major boss while all areas have plenty of monsters to kill that range in difficulty depending on the Waystone you placed. In addition to fighting enemies and bosses, you can also discover NPCs in the Atlas that offer objectives to complete for more rewards. As you find more and more NPCs, you might eventually find a location called the Hideout. Here, you can group NPCs together to join you on your exploration of the Atlas. The Hideout serves as another hub within the Atlas that players can return to throughout the endgame. Finally, a major element of the endgame in Path of Exile 2 is the systems in place. These systems act as events in the endgame that can be completed for rewards. Every system gives points for players to spend in the Atlas' skill trees and as players put more points in the different sections of the tree, the systems become more difficult and offer better rewards. There are seven systems in Path of Exile 2's endgame and each one offers different gameplay loops, pinnacle boss fights, and rewards. Here are the seven endgame systems: Breach Ritual Delirium Expedition Trial of the Sekhemas Trial of Chaos Pinnacle Boss The Pinnacle Boss is the hardest piece of endgame content in Path of Exile 2 and requires some preparation before you're able to take it on. You can only take part in the Pinnacle Boss system after finding three distinct keys that unlock a door to a fortress somewhere in the Atlas. From there, you're faced with frequent boss fights that are more challenging than anything else in Path of Exile 2. Upvote Leave Blank
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NonePolice in Georgia on Saturday fired water cannons to disperse pro-EU protesters rallying for a ninth consecutive day against the prime minister's decision to shelve talks on joining the European Union. The Caucasus nation has been engulfed in turmoil since the governing Georgian Dream party declared that it had won a disputed October 26 election. The party's critics have accused it of creeping authoritarianism and of steering the country back towards Russia. Thousands of defiant pro-EU protesters in Georgia began to rally Friday eve after the prime minister claimed victory in a "battle" against the opposition. Tens of thousands have taken to the streets since the election to protest against alleged electoral fraud. Fresh rallies took place across the country after Prime Minister Irakli Kobakhidze announced last week that Georgia would not hold talks on European Union membership until 2028. Police have fired tear gas and water cannon against pro-EU protests in Tbilisi and hundreds of arrests have been made, triggering outrage at home and mounting international condemnation. France, Germany and Poland condemned what they called the government's "disproportionate" use of force against protesters and opposition leaders in a joint statement Friday. Shortly after midnight on Saturday, riot police in full gear moved in with water cannons to disperse the rally outside the parliament building, making arrests as the crowd retreated a few metres (yards), an AFP reporter witnessed. Earlier on Friday evening, several thousand people blocked the street outside parliament, with some blowing whistles and others setting off firecrackers. The crowd was smaller than on previous nights and the mood quieter, but protesters rejected claims the movement was dying out. "People will continue the protest," said one demonstrator, 23-year-old Giorgi, wearing a Georgian flag and a back scarf pulled over his nose. "They're patient, I will be here for the rest of my life if it is necessary to save my country." Separate protests were held outside Georgia's Public Broadcaster -- accused of being a government propaganda tool -- as well as the education ministry and the country's tourism administration offices. Shalva Alaverdashvili, founder of the Georgian hotels' federation, told AFP that the "unexpected and unacceptable" suspension of EU accession talks has severely hit the country's tourism industry, which accounts for seven percent of the country's GDP. Thousands have also staged anti-government rallies in the second city of Batumi on the Black Sea coast. On Friday evening, a court in Tbilisi put a 19-year-old youth activist in pre-trial detention. Zviad Tsetskhladze had been arrested during the protests on charges of "organising, leading, and participating in group violence". Tsetskhladze told the judge: "Democracy in Georgia is no more. The rule of law has been crushed. "Our actions are a form of resistance, aimed at preserving the rule of law, defending democracy, and protecting the rights of every individual." Sign up to get our free daily email of the biggest stories! Earlier Friday Prime Minister Kobakhidze praised his security forces for "successfully neutralising the protesters' capacity for violence". "We have won an important battle against liberal fascism in our country," he told a news conference, using language reminiscent of how the Kremlin in Russia targets its political opponents. "But the fight is not over. Liberal fascism in Georgia must be defeated entirely," Kobakhidze said, repeating an earlier threat to "complete the process of neutralising the radical opposition". With both sides ruling out a compromise, there appeared to be no clear route out of the crisis. The leader of the opposition Lelo party, Mamuka Khazaradze, said the ruling party "no longer has the strength or resources to stand against the people." The government "has resorted to arresting young activists and political opponents out of fear of relentless public protests and growing civil disobedience by public servants," he told AFP. The interior ministry said police had detained three more individuals Friday for "participating in group violence", punishable by up to nine years' jail. Masked officers have raided several opposition party offices and arrested opposition leaders earlier this week, while around 300 people have been detained at rallies. On Friday Nika Gvaramia, leader of the opposition Akhali party, was sentenced to 12 days in prison. Alexandre Elisashvili, leader of the Strong Georgia opposition group, was remanded in custody for two months of pretrial detention. More trouble is expected after December 14, when Georgian Dream lawmakers elect a loyalist to succeed pro-Western President Salome Zurabishvili. She has vowed not to step down until the parliamentary polls are re-run. Local media has also reported protests across the country, including in the cities of Batumi, Kutaisi, Zugdidi, Rustavi and Telavi. Critics of Georgian Dream are enraged by what they call its betrayal of Tbilisi's bid for EU membership, enshrined in the constitution and supported by around 80 percent of the population. Several ambassadors, a deputy foreign minister, and other officials have resigned over the suspension of EU talks. Georgian Dream, in power for more than a decade, has advanced controversial legislation in recent years, targeting civil society and independent media and curbing LGBTQ rights. Brussels warned such policies were incompatible with EU membership, while domestic critics accuse the government of copying Russia's playbook. Georgia's own rights ombudsman has accused the police of "torture" against those arrested. ub-im/sbk
NEW YORK (AP) — Angelina Jolie never expected to hit all the notes. But finding the breath of Maria Callas was enough to bring things out of Jolie that she didn’t even know were in her. Read this article for free: Already have an account? To continue reading, please subscribe: * NEW YORK (AP) — Angelina Jolie never expected to hit all the notes. But finding the breath of Maria Callas was enough to bring things out of Jolie that she didn’t even know were in her. Read unlimited articles for free today: Already have an account? NEW YORK (AP) — Angelina Jolie never expected to hit all the notes. But finding the breath of Maria Callas was enough to bring things out of Jolie that she didn’t even know were in her. “All of us, we really don’t realize where things land in our body over a lifetime of different experiences and where we hold it to protect ourselves,” Jolie said in a recent interview. “We hold it in our stomachs. We hold it in our chest. We breathe from a different place when we’re nervous or we’re sad. “The first few weeks were the hardest because my body had to open and I had to breathe again,” she adds. “And that was a discovery of how much I wasn’t.” In Pablo Larraín’s “Maria,” which Netflix released in theaters Wednesday before it begins streaming on Dec. 11, Jolie gives, if not the performance of her career, then certainly of her last decade. Beginning with 2010’s “In the Land of Blood and Honey,” Jolie has spent recent years directing films while prioritizing raising her six children. “So my choices for quite a few years were whatever was smart financially and short. I worked very little the last eight years,” says Jolie. “And I was kind of drained. I couldn’t for a while.” But her youngest kids are now 16. And for the first time in years, Jolie is back in the spotlight, in full movie-star mode. Her commanding performance in “Maria” seems assured of bringing Jolie her third Oscar nomination. (She won supporting actress in 2000 for “Girl, Interrupted.”) For an actress whose filmography might lack a signature movie, “Maria” may be Jolie’s defining role. Jolie’s oldest children, Maddox and Pax, worked on the set of the film. There, they saw a version of their mother they hadn’t seen before. “They had certainly seen me sad in my life. But I don’t cry in front of my children like that,” Jolie says of the emotion Callas dredged up in her. “That was a moment in realizing they were going to be with me, side by side, in this process of really understanding the depth of some of the pain I carry.” Jolie, who met a reporter earlier this fall at the Carlyle Hotel, didn’t speak in any detail of that pain. But it was hard not to sense some it had to do with her lengthy and ongoing divorce from Brad Pitt, with whom she had six children. Just prior to meeting, a judge allowed Pitt’s remaining claim against Jolie, over the French winery Château Miraval, to proceed. On Monday, a judge ruled that Pitt must disclose documents Jolie’s legal team have sought that they allege include “communications concerning abuse.” Pitt has denied ever being abusive. The result of the U.S. presidential election was also just days old, though Jolie — special envoy for the United Nations Refugee Agency from 2012 to 2022 – wasn’t inclined to talk politics. Asked about Donald Trump’s win, she responded, “Global storytelling is essential,” before adding: “That’s what I’m focusing on. Listening. Listening to the voices of people in my country and around the world.” Balancing such things — reports concerning her private life, questions that accompany someone of her fame — is a big reason why Jolie is so suited to the part of Callas. The film takes place during the American-born soprano’s final days. (She died of a heart attack at 53 in 1977.) Spending much of her time in her grand Paris apartment, Callas hasn’t sung publicly in years; she’s lost her voice. Imprisoned by the myth she’s created, Callas is redefining herself and her voice. An instructor tells her he wants to hear “Callas, not Maria.” The movie, of course, is more concerned with Maria. It’s Larrain’s third portrait of 20th century female icon, following “Jackie” (with Natalie Portman as Jacqueline Kennedy) and “Spencer” (with Kristen Stewart as Princess Diana). As Callas, Jolie is wonderfully regal — a self-possessed diva who deliciously, in lines penned by screenwriter Steven Knight, spouts lines like: “I took liberties all my life and the world took liberties with me.” Asked if she identified with that line, Jolie answered, “Yeah, yeah.” Then she took a long pause. “I’m sure people will read a lot into this and there’s probably a lot I could say but don’t want to feed into,” Jolie eventually continues. “I know she was a public person because she loved her work. And I’m a public person because I love my work, not because I like being public. I think some people are more comfortable with a public life, and I’ve never been fully comfortable with it.” When Larraín first approached Jolie about the role, he screened “Spencer” for her. That film, like “Jackie” and “Maria,” eschews a biopic approach to instead intimately focus on a specific moment of crisis. Larraín was convinced Jolie was meant for the role. “I felt she could have that magnetism,” Larraín says. “The enigmatic diva that’s come to a point in her life where she has to take control of her life again. But the weight of her experience, of her music, of her singing, everything, is on her back. And she carries that. It’s someone who’s already loaded with a life that’s been intense.” “There’s a loneliness that we both share,” Jolie says. “That’s not necessarily a bad thing. I think people can be alone and lonely sometimes, and that can be part of who they are.” Larraín, the Chilean filmmaker, grew up in Santiago going to the opera, and he has long yearned to bring its full power and majesty to a movie. In Callas, he heard something that transfixed him. “I hear something near perfection, but at the same time, it’s something that’s about to be destroyed,” Larraín says. “So it’s as fragile and as strong as possible. It lives in both extremes. That’s why it’s so moving. I hear a voice that’s about to be broken, but it doesn’t.” In Callas’ less perfect moments singing in the film, Larraín fuses archival recordings of Callas with Jolie’s own voice. Some mix of the two runs throughout “Maria.” “Early in the process,” Jolie says, “I discovered that you can’t fake-sing opera.” Jolie has said she never sang before, not even karaoke. But the experience has left her with a newfound appreciation of opera and its healing properties. Winnipeg Jets Game Days On Winnipeg Jets game days, hockey writers Mike McIntyre and Ken Wiebe send news, notes and quotes from the morning skate, as well as injury updates and lineup decisions. Arrives a few hours prior to puck drop. “I wonder if it’s something you lean into as you get older,” Jolie says. “Maybe your depth of pain is bigger, your depth of loss is bigger, and that sound in opera meets that, the enormity of it.” If Larraín’s approach to “Maria” is predicated on an unknowingness, he’s inclined to say something similar about his star. “Because of media and social media, some people might think that they know a lot about Angelina,” he says. “Maria, I read nine biographies of her. I saw everything. I read every interview. I made this movie. But I don’t think I would be capable of telling you who she was us. So if there’s an element in common, it’s that. They carry an enormous amount of mystery. Even if you think that you know them, you don’t.” Whether “Maria” means more acting in the future for Jolie, she’s not sure. “There’s not a clear map,” she says. Besides, Jolie isn’t quite ready to shake Callas. “When you play a real person, you feel at some point that they become your friend,” says Jolie. “Right now, it’s still a little personal. It’s funny, I’ll be at a premiere or I’ll walk into a room and someone will start blaring her music for fun, but I have this crazy internal sense memory of dropping to my knees and crying.” Advertisement Advertisement'What I envision is a low barrier shelter': Woodstock council endorses mayor’s proposal for homelessness service centreMessi's son debuts at Argentina youth tournament as grandparents watch
