The National Basketball Association (NBA) is taking a first step back into the huge Chinese market with two preseason games set to take place in Macao next October, five years after the league was effectively blocked from China. The Brooklyn Nets and the Phoenix Suns will play the preseason games on October 10 and 12 at the Venetian Arena next year, while an NBA Flagship Store will also open in Macao. "Bringing preseason games to Macao will showcase the excitement of the NBA to fans in one of the world's emerging hubs for sports," NBA Deputy Commissioner and COO Mark Tatum said in a press release. "The Nets and the Suns feature an exciting mix of established and rising stars, and we look forward to engaging fans, aspiring players and the local community in Macao through these games and a variety of interactive events, youth development programs and social impact initiatives." NBA teams command a huge following in China, where basketball is wildly popular. The league has not staged a game in the country since 2019, when a tweet in support of pro-democracy protesters in Hong Kong from the Houston Rockets' then general manager Daryl Morey sparked a political firestorm. At the time, NBA Commissioner Adam Silver refused to punish or censor Morey – who is currently the Philadelphia 76ers' president of basketball operations – prompting ire from Beijing and leading the sports station of China's central broadcaster to stop showing the league's games for a year. Hong Kong was roiled by pro-democracy protests in 2019, which at times brought several hundreds of thousands of people onto the streets to push for democracy in the city. Like Macao, Hong Kong is considered a special administrative region of China, partly distinct from the mainland. Beijing repeatedly accused Western democratic forces of working to fuel the popular Hong Kong protests and lashed out at any support for the movement, which died out in 2020 when the capital imposed a sweeping national security law on the city. Silver said two years ago that the NBA had lost "hundreds of millions of dollars" in revenue following the fallout with China, with whom the league had shared a long-standing relationship. According to Reuters, 17 NBA teams played 28 games in China between 2004 and 2019. However, tensions between the league and the country now appear to have thawed, with a legends game featuring six former NBA stars set be held in Macao on Saturday. "We always love the opportunity to compete on the global stage and we are grateful to participate in the NBA China Games 2025," said Brooklyn Nets general manager Sean Marks. "The Brooklyn Nets have an incredible fanbase around the globe and we can't wait to bring our love of the game directly to our fans while giving our players and coaches the opportunity to immerse themselves in a different culture." Phoenix Suns CEO Josh Bartelstein, meanwhile, added that playing in Macao is part of the team's vision to "bring the Suns to a global audience and impact fans across the world."
Their ages vary. But a conspicuous handful of filmmaking lions in winter, or let’s say late autumn, have given us new reasons to be grateful for their work over the decades — even for the work that didn’t quite work. Which, yes, sounds like ingratitude. But do we even want more conventional or better-behaved work from talents such as Francis Ford Coppola? Even if we’re talking about “Megalopolis” ? If Clint Eastwood’s “Juror #2” gave audiences a less morally complicated courtroom drama, would that have mattered, given Warner Bros.’ butt-headed decision to plop it in less than three dozen movie theaters in the U.S.? Coppola is 85. Eastwood is 94. Paul Schrader, whose latest film “Oh, Canada” arrives this week and is well worth seeking out, is a mere 78. Based on the 2021 Russell Banks novel “Foregone,” “Oh, Canada” is the story of a documentary filmmaker, played by Richard Gere, being interviewed near the end of his cancer-shrouded final days. In the Montreal home he shares with his wife and creative partner, played by Uma Thurman, he consents to the interview by two former students of his. Gere’s character, Leonard Fife, has no little contempt for these two, whom he calls “Mr. and Mrs. Ken Burns of Canada” with subtle disdain. As we learn over the artful dodges and layers of past and present, events imagined and/or real, Fife treats the interview as a final confession from a guarded and deceptive soul. He’s also a hero to everyone in the room, famous for his anti-Vietnam war political activism, and for the Frederick Wiseman-like inflection of his own films’ interview techniques. The real-life filmmaker name-checked in “Oh, Canada” is documentarian Errol Morris, whose straight-to-the-lens framing of interview subjects was made possible by his Interrotron device. In Schrader’s adaptation, Fife doesn’t want the nominal director (Michael Imperioli, a nicely finessed embodiment of a second-rate talent with first-rate airs) in his eyeline. Rather, as he struggles with hazy, self-incriminating memories of affairs, marriages, one-offs with a friend’s wife and a tense, brief reunion with the son he never knew, Fife wants only his wife, Emma — his former Goddard College student — in this metaphoric confessional. Schrader and his editor Benjamin Rodriguez Jr. treat the memories as on-screen flashbacks spanning from 1968 to 2023. At times, Gere and Thurman appear as their decades-young selves, without any attempt to de-age them, digitally or otherwise. (Thank god, I kind of hate that stuff in any circumstance.) In other sequences from Fife’s past, Jacob Elordi portrays Fife, with sly and convincing behavioral details linking his performance to Gere’s persona. We hear frequent voiceovers spoken by Gere about having ruined his life by age 24, at least spiritually or morally. Banks’ novel is no less devoted to a dying man’s addled but ardent attempt to come clean and own up to what has terrified him the most in the mess and joy of living: Honesty. Love. Commitment. There are elements of “Oh, Canada” that soften Banks’ conception of Fife, from the parentage of Fife’s abandoned son to the specific qualities of Gere’s performance. It has been 44 years since Gere teamed with Schrader on “American Gigolo,” a movie made by a very different filmmaker with very different preoccupations of hetero male hollowness. It’s also clearly the same director at work, I think. And Gere remains a unique camera object, with a stunning mastery of filling a close-up with an unblinking stillness conveying feelings easier left behind. The musical score is pretty watery, and with Schrader you always get a few lines of tortured rhetoric interrupting the good stuff. In the end, “Oh, Canada” has an extraordinarily simple idea at its core: That of a man with a movie camera, most of his life, now on the other side of the lens. Not easy. “I can’t tell the truth unless that camera’s on!” he barks at one point. I don’t think the line from the novel made it into Schrader’s script, but it too sums up this lion-in-winter feeling of truth without triumphal Hollywood catharsis. The interview, Banks wrote, is one’s man’s “last chance to stop lying.” It’s also a “final prayer,” dramatized by the Calvinist-to-the-bone filmmaker who made sure to include that phrase in his latest devotion to final prayers and missions of redemption. “Oh, Canada” — 3 stars (out of 4) No MPA rating (some language and sexual material) Running time: 1:34 How to watch: Opens in theaters Dec. 13, running 1in Chicago Dec. 13-19 at the Gene Siskel Film Center, 164 N. State St.; siskelfilmcenter.org Michael Phillips is a Tribune critic.Flag football scours nation with talent camps to uncover next wave of stars
Indiana aims to run its winning streak to five games Friday night when Nebraska welcomes the Hoosiers to Lincoln, Neb. Indiana (8-2, 1-0 Big Ten) has lost the past three meetings with Nebraska after winning seven straight. The Hoosiers are led by center Oumar Ballo, a transfer from Arizona who averages 13.2 points and 9.1 rebounds per game, and forward Malik Reneau (team-best 15.5 points and 6.4 rebounds). Javascript is required for you to be able to read premium content. Please enable it in your browser settings.
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